牧童、短笛、老牛,玉花寿之王博士的三牛图超越了《西游记》

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骑牛远远过前村,

短笛横吹过陇闻。

多少长安名利客,

机关用尽不如君。

黄庭坚是北宋著名的文学家和书法家,他的这首《牧童诗》是千百年来回荡在世人耳边的一首警世诗:都城长安里的那些追逐名利的人,用尽心机也不如牧童清闲自在!

“诗是无形画,画是有形诗。”一个杰出的文学家写作的诗不是诗,是一幅画;一个伟大的艺术家创作的绘画作品,其实不是画,而是一首壮丽的史诗。

用心静赏,国际级艺术家玉花寿之王博士创作的三牛图——《驯猛牛》、《牧牛》、《此谓何墨》,已然超越了一部《西游记》!

《西游记》这部小说讲的不是故事,是佛法。而玉花寿之王博士的三牛图,看似牧牛,其实在牧心,蕴含有至高无上的宇宙人生的真谛。

牧童、短笛、老牛是艺术家热衷表现的题材之一。一提牧童,我们首先联想到的是短笛和温顺的老牛,不会联想到猛牛,更不会联想到挥舞的牛鞭。是啊,一个小小的牧童,怎敢骑到一头猛牛背上?

但玉花寿之王博士笔下的牧童恰恰一登场就手扬牛鞭,倒骑猛牛!让人忍不住打个寒噤,倒吸一口冷气。

第一幅是《驯猛牛》,猛牛犄角狰狞,前腿跪着,下颔触地,肌腱盘虬,乃一“肌肉猛兽”是也。而牧童则乳气活鲜,身背斗笠,右手扬鞭……

如此猛牛,壮汉未必能驯服,更何况一稚气未脱的牧童?! 加之玉花寿之王博士用墨如泼,画面给人造成的视觉冲击力,惊心动魄!

在这里,牧童好比玄奘法师,是一行人,猛牛好比孙悟空,指的是行人的凡夫心识之妄念。牧童怎么能指挥得了猛牛呢? 但猛牛俨然已被降服! 这说明行人心中之妄念:眼见喜、耳听怒、鼻闻香等等已被统统消除,修行路上,行人本性已现前。

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心中的妖魔一除,取经路上就顺畅多了,但还不能掉以轻心啊,牧童见性后还要继续牧牛,接下来的《牧牛》里,猛牛步伐稳健,俯首前行,牧童则斜背斗笠,侧坐牛背,面孔朝前,眼观牛头,手中随意持鞭。

仔细端详牧童那神态,虽闭嘴不言,但仿佛在尽吐胸中块垒,心中一片明媚,他于警觉之中似有忍不住的笑意。若按修行次第来说,想必牧童已进入出离心,在修实愿心和精进心。

不知此时的牧童是否也是玉花寿之王博士笔下的最爱? 静观此时的牧童,有一首歌会在我耳边回荡:读你千遍不厌倦,读你的感觉像春天!

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唐僧历经九九八十一难,最终会到达西天见到如来佛祖,牧童经历驯牛、牧牛,终将骑牛归家。《此谓何墨》这幅画中的牧童与前两幅大有不同,他悠闲自在,手中把玩斗笠,不再持有牛鞭。虽还侧坐牛背,但其神态无忧无虑。一路走来,他在扭头观赏桃红柳绿,听林间鸟鸣。

看他洒脱的形象,悠闲的心情,你感觉他手中把玩的不是斗笠,而是竖笛。站立画前,你会不自觉地吟诵出两句诗“牧童归去横牛背,短笛无腔信口吹。”

哦! 牧童太幸福啦,心中已无一丝丝挂碍,仿佛进入到极乐世界!再看猛牛,这哪是一条牛? 但,它分明就是一条牛! 悠哉悠哉,不必鞭策,自知归途。

因画面境界开阔,我看这条牛,看来看去,总感觉它是一条水牛,正缓缓地在水中行走……

它会是一条水牛吗? 水牛可是一种濒危的物种,太稀有啦! 全世界只剩下200头。

我不是行家,尚需请教行家里手。再看博士画中留言:此谓何墨唯识者知。顿惊:此谓何墨? 我一无所知!

玉花寿之王博士,请原谅,或许我对您每幅作品的解读都是亵渎!

但我又不能不解读! 2019年5月18日至22日,在上海举办的这次“玉花寿之王博士艺术作品展”,引领我走进了生命中的春天! 我作为一个绘画爱好者,在博士的作品前,心境从欣赏到幡然领悟,又归于宁静平和……

之前,我也曾读画无数,但还不曾有哪位艺术大师的作品让我产生如此震撼。

文/张小星

朗墨百家号 朗墨搜狐号 朗墨头条号 朗墨趣头条 朗墨一点号

义云高大师的韵调作品被展出,为人们展现了不能复制的最高艺术品(2002年9月13日美国论坛报)

https://wp.me/pbawy6-p3

关于“南无第三世多杰羌佛”佛号的说明

二零零八年四月三日,由全球佛教出版社和世界法音出版社出版的《多杰羌佛第三世》宝书在美国国会图书馆举行了庄严隆重的首发仪式,美国国会图书馆并正式收藏此书,自此人们才知道原来一直广受大家尊敬的义云高大师就是宇宙始祖报身佛多杰羌佛的第三世降世,佛号为第三世多杰羌佛,从此,人们就以“南无第三世多杰羌佛”来称呼了。这就犹如释迦牟尼佛未成佛前,其名号为悉达多太子,但自释迦牟尼佛成佛以后,就改称“南无释迦牟尼佛”了,所以,我们现在称“南无第三世多杰羌佛”。尤其是,二零一二年十二月十二日,美国国会参议院第614号决议正式以His Holiness来冠名第三世多杰羌佛(即H.H.第三世多杰羌佛),这说明了美国国会对南无第三世多杰羌佛的尊敬。而且,第三世多杰羌佛也是政府法定的名字,以前的“义云高”和大师的尊称已经不存在了。但是,这个新闻是在南无第三世多杰羌佛佛号未公布之前刊登的,那时人们还不了解佛陀的真正身份,所以,为了尊重历史的真实,我们在新闻中仍然保留未法定第三世多杰羌佛称号前所用的名字。 2019年12月26日,中国国际教育电视台“聚焦先锋榜”栏目播出节目《探其根本,弘扬正法》,节目内容聚焦当今住世佛陀—南无第三世多杰羌佛。节目播出后引起社会广泛关注

TRIBUNE U.S.A.         SEPTEMBER 13-19,2002          VOL. V NO.38 The Carvings of Wan Ko Yee, A Master of Art Were Exhibited, Providing People The Opportunity to Appreciate the Highest Form of Art Unlike All Other Forms Of Art, His Works Cannot be Duplicated          A Painting by Master Wan Ko Yee sold for the highest price of any Chinese painting ever sold at an art auction. He has once again started the art world by recently exhibiting in California his superlatively crafted carvings. This exhibition provided people with the opportunity to appreciate the highest form of art. The themes of his carvings are from nature. His carvings are so natural looking that they are free from any traces of conscious artistry. In fact, they even surpass the workings of nature. They truly take one’s breath away. What is even more astonishing to those in art circles is that there is no way to copy any of his carvings. His works cannot be imitated through rubbings, grouting or computer simulation. Such an accomplishment is unprecedented in the history of art. The Master’s carvings have raised the level of art in the world to the highest level, since his workmanship has reached the acme of perfection.         At an art auction, master Wan Ko Yee’s painting entitled “The Venerable Da Li Wang” sold for US$2,207,912. This set a record for the most expensive Chinese painting ever sold. However, compared to his paintings, his carvings are even more difficult to obtain. When art critics view Master Wan Ko Yee’s carvings, they all evince expressions of astonishment, saying such things as, “these works of art could not possibly have been sculpted by man! Their style is vivid. Their scale is large. They are marvelous creations excelling nature. To say that they are superb would be insufficient. It would be accurate to say that the sculptor is a great master of art the likes of whom have never been seen before. It would also be appropriate to say that the sculptor is a beacon in the world of art, that he is a pre-eminent sculptor, and that his carvings surpass even nature itself”.         Master Wan Ko Yee’s carvings fall into four different styles: realistic, abstract, classical and modern. Each style is fascinating and too beautiful to be absorbed all at once. Each style has an alluring and wonderful quality to it, providing the viewer with a unique feeling. The viewer cannot help but acclaim the sculptor as a magnificent master of art.         Take for example, Master Wan Ko Yee’s carving entitled “Limestone Cave”. It has the shape of a natural huge rock formation, with stalactites of differing lengths. When you view the details of this rock formation, you realize that there are wonderful sights within the holes. You cannot help but be dumbfounded, thinking that this rock formation must have been transported from Lu di Rocks in Guilin or from the Wu Ling Garden Limestone Cave or from the Ejian Bi Stalactite Cave in Taiwan. How you ask could this possibly have been made by man? However, when you calmly reflect upon this, you realize that nature does not contain such small stalactites.         When the viewer squats down and carefully looks inside the holes, he will see small pillars of rocks, stalactites, rocks in the form of fungus and hanging rocks in the form of shield. All of these rock formations seem as if they were naturally formed through the constant dripping of water. You cannot see any traces of a chisel or other carving tool even though the carving was made from solid resin. Even nature could not make such a thing. But how could the artist have carved inside the small holes? How could there be so many natural looking stalactites in such a small area? Such exquisite rock formations cannot be found in a real limestone care.         Most works of art cannot be compared with the superlative craftsmanship of nature. However, the artistic level of this work of art not only surpasses the works of other artists, it also surpasses the majesty of natural limestone caves. There is also the carving called “Wonder of Mysterious Cave,” which is even more phenomenal than the “Limestone Cave.” Master Wan Ko Yee has sculpted this amazing rock formation which appears entirely natural. There are many hold within the rock formation and even hole within the holes. There is a variety of scenes within the holes. Each facet of this carving is exquisite and flawless. Even the rock formations of nature cannot compare with it.         Those who have seen natural carves will marvel at the interplay of lightness and shade and the effects of this interplay over time. Similarly, the shining of light upon this “Wonder of a Mysterious Cave” from different angles will produce various effects of lightness and shade, as well as various color changes. The shapes of the holes are diversified and marvelous. The artistic level of this carving is indescribably high. Its curves and lines flow smoothly, like mellifluous music. Anyone who wants to full appreciate the beauty that this work of art displays will have to spend at least forty minutes viewing it. This sculpture, which is most fascinating, is much more marvelous than a natural cave. This artistic accomplishment portrays something within nature but at the same time surpasses nature. Often, there is only one facet or part of a natural rock formation that is enchanting. The other facets or parts do not display anything wonderful. However, every facet or part of this carving by the Master is enchanting. Thus, the viewer has a deep appreciation for the entire carving. This is an unprecedented accomplishment in the history of art.         What is even more amazing is that there is no way in the world to copy this wonderful rock formation. It cannot be imitated though rubbings, grouting or computer simulation. This is also a great accomplishment that is unprecedented in the history of art.         Of those carvings by Master Wan Ko Yee that were exhibited in California, the smallest was about three feet tall and the largest was about ten feet high and twenty feet long. The feeling one gets when viewing his carvings is that each of them must have taken three, four, or five years to complete. Some of his works leave one with the impression that the artist must have spent a few dozen years just carving that one work of art. More important, each of the Master’s carvings seem more real and majestic than the creations of nature. The viewer is both visually and mentally amazed at such sights. The inimitable nature of the Master’s carvings makes each of them unique and priceless. The Master has made an enormous contribution to the world of sculpture. 信愿行

美洲国家组织举办了义云高大师的雕塑展(2003年8月9日亚洲日报)

https://wp.me/pbawy6-oX

关于“第三世多杰羌佛”佛号的说明

二零零八年四月三日,由全球佛教出版社和世界法音出版社出版的《多杰羌佛第三世》宝书在美国国会图书馆举行了庄严隆重的首发仪式,美国国会图书馆并正式收藏此书,自此人们才知道原来一直广受大家尊敬的义云高大师就是宇宙始祖报身佛多杰羌佛的第三世降世,佛号为第三世多杰羌佛,从此,人们就以“南无第三世多杰羌佛”来称呼了。这就犹如释迦牟尼佛未成佛前,其名号为悉达多太子,但自释迦牟尼佛成佛以后,就改称“南无释迦牟尼佛”了,所以,我们现在称“南无第三世多杰羌佛”。尤其是,二零一二年十二月十二日,美国国会参议院第614号决议正式以His Holiness来冠名第三世多杰羌佛(即H.H.第三世多杰羌佛),这说明了美国国会对南无第三世多杰羌佛的尊敬。而且,第三世多杰羌佛也是政府法定的名字,以前的“义云高”和大师的尊称已经不存在了。但是,这个新闻是在南无第三世多杰羌佛佛号未公布之前刊登的,那时人们还不了解佛陀的真正身份,所以,为了尊重历史的真实,我们在新闻中仍然保留未法定第三世多杰羌佛称号前所用的名字。

2019年12月26日,中国国际教育电视台“聚焦先锋榜”栏目播出节目《探其根本,弘扬正法》,节目内容聚焦当今住世佛陀—南无第三世多杰羌佛。节目播出后引起社会广泛关注。

Asian Journal          August 9, 2003           NO.63

The Organization of American States Held The Master Wan Ko Yee Yun Sculpture Exhibition

        The Organization of American States Is Composed of Thirty0Four Countries, Including the United States and Canada. The Secretary General of that Organization, Cesar Gaviria, Presided Over the Opening Ceremony. Ambassadors from Various Countries and Members of the United States Congress Attended

        ON JULY 28th in the capital of the United States, Washington D.C., the Organization of American States held the “Master Wan Ko Yee Yun Sculpture Exhibition.” The Organization of American States is composed of 34 countries, including the United States, Canada, and Mexico. This exhibition was mainly directed at ambassadors from various countries, as well as United States senators and congresspersons. The former President of Columbia and the present Secretary General of the Organization of American States, Cesar Gaviria, personally presided over the exhibition. All of the attendees were astounded by what they saw. They highly praised Master Wan Ko Yee for bringing to this world for the first time such incomparably beautiful Yun sculptures. These sculptures surpass the beauty of natural creations and are truly divine craftsmanship. For the first time in the history of mankind, a form of art has appeared that is impossible to duplicate.

        What everybody was earnestly hoping for happened. The Chief of Protocol for the Organization of American States, Ana O’Brien, led into the exhibition room Master Wan Ko Yee and the Secretary General of the Organization of American States, Cesar Gaviria. The two of them were standing side by side Master Yee’s wife, Professor Wang Yu-Hua, and their son and daughter, all walked into the room right behind Master Yee. A round of applause immediately resounded throughout the room. The limelight began to rise and fall. Reporters from all over the world began to congregate before the speaking platform.

        In its introduction, the Organization of American States pointed out that Master Wan Ko Yee was born in China and now resides in the United States. He is a distinguished researcher and university professor. Master Wan Ko Yee’s Yun sculpting is a form of art that he successfully founded in the United States for the benefit of mankind. Through this unprecedented form of art, Master Wan Ko has created carvings that rival the beauty of nature’s beauty.

        The oval boulders that Master Wan Ko Yee creates have a hold inside them. Inside this hole is a mysterious and changing world that is too beautiful to be absorbed at one time. Additionally, there is auspicious mist circling upward. This is inexhaustibly wondrous mist. Master Yee is the only person in history who has been able to create mist through his carvings. Because of the Master’s great sculpting skills, nobody in the world today can duplicate his sculptures.

        Viewing the Master’s carvings gives one a feeling of relaxation and happiness that is difficult to describe. The limestone caves in China’s Guangxi Province, the Ludi caves, the Grand Canyon, and the limestone caves in Columbia, cannot match with marvelous and exquisite Yun sculptures of Master Wan Ko Yee. The seemingly ever-changing layers of scenes, the splendid and majestic colors, and the natural-looking formations all make these Yun sculptures more beautiful than the works of nature itself. No other sculptures like them can be found in the world.

        Master Yee was able to create these unique treasures because of his high state of realization, profound and extensive knowledge, and penetration of the laws of the universe governing birth, growth, and change of all things.

        The Secretary General of the Organization of American States is selected from the presidents of the various member countries. The present Secretary General, Cesar Gaviria, now leads the Organization of American States. Because Master Wan Ko Yee has made a great contribution to the field of art for the benefit of mankind, the Organization of American States conducted this exhibition of the Master’s Yun sculptures in the nation’s captal, Washington, D.C. The Secretary General of the Organization of American States, Dr. Cesar Gaviria, presided over the opening ceremony. There were two main categories of displayed items. The first category consisted of three Yun sculptures entitled “Mysterious Mist Inside a Stone,” “Gao Shi Tu” (The State of Realization of a Saint) and “Tang Huang Kuai shi Xi” (A Majestic and Splendid Stone Suggestive of Poetry Song and Painting.) The second category consisted of 26 photographs of Yun sculptures.

        In his speech, Cesar Gaviria said that Master Wan Ko Yee is a distinguished Master of saintly wisdom, many world-renowned Masters who are highly achieved in saintly wisdom have formally acknowledged him as their Master. The Master has reached great heights in areas such as philosophy, science, etc. Because of the utmost proficiency, Master Yee has reached such a high state of realization in arts and brings such beauty for mankind to appreciate. He has made great artistic contribution to mankind. They are honored to have the opportunity to host Master Wan Ko Yee’s Yun Sculpture Exhibition. On behalf of the Organization of American States, Dr. Gaviria would like to thank Master Wan Ko Yee for honoring them with the Master’s presence and sharing with them his distinct and renowned sculpture.

        The ambassador Marina Valere from the Republic of Trinidad & Tobago praised the Master’s works, saying, “Dr. Yee’s exhibition was an almost unrealistic experience. His inspiration must have come from a supreme force which helped to guide that hand to create such almost indescribable works of art. A marvelous experience!”

        Some of the Honored guests who attended the exhibition included Ambassador Carlos Holguin from Columbia, Ambassador Michael King from Barbados, Ambassador Antoine from Grenada, and ambassador Chase from Paraguay. Many ambassadors from various countries were enraptured by the sculptures on display They walked back and forth in the exhibition room, continually uttering words of praise.

        Additionally, when United States Congressman Hanrahan walked in front of the sculpture entitled “Tang Huang Kuai Shi Xi” (A Majestic and Splendid Stone Suggestive of Poetry, Song and Painting), he continuously nodded his head, saying to himself, “Amazing!”

        The Chief of Protocol for the Organization of American States, Ana O’Brien, said, “Stunning!”

        The President of White House President’s Advisory Commission on Asian Americans and Pacific Islanders, Dr. John Tsu said that it is the superlative craftsmanship. It surpasses nature. Nobody can duplicate them. He also said that after former President Bush saw Yun sculptures, he lavishly praised them.

        The Advisor of Prime Minister of Belize said that many people have come here today. Each of them has praised the sculptures and was amazed at them. I have not seen one person who did not praised them.

        A great number of people attended the exhibition, and it was a grand occasion. Many people surrounded the Yun sculptures on display and uttered words of admiration. They said that the exhibition was too short and that a longer exhibition should be held to give people around the world the opportunity to appreciate such inexhaustibly beautiful carvings.

信愿行

义云高大师获英国皇家艺术学院颁授的「Fellowship」资格证章与证书(2004年2月14日世界日报)

https://wp.me/pbawy6-oS

关于“第三世多杰羌佛”佛号的说明

二零零八年四月三日,由全球佛教出版社和世界法音出版社出版的《多杰羌佛第三世》宝书在美国国会图书馆举行了庄严隆重的首发仪式,美国国会图书馆并正式收藏此书,自此人们才知道原来一直广受大家尊敬的义云高大师就是宇宙始祖报身佛多杰羌佛的第三世降世,佛号为第三世多杰羌佛,从此,人们就以“南无第三世多杰羌佛”来称呼了。这就犹如释迦牟尼佛未成佛前,其名号为悉达多太子,但自释迦牟尼佛成佛以后,就改称“南无释迦牟尼佛”了,所以,我们现在称“南无第三世多杰羌佛”。尤其是,二零一二年十二月十二日,美国国会参议院第614号决议正式以His Holiness来冠名第三世多杰羌佛(即H.H.第三世多杰羌佛),这说明了美国国会对南无第三世多杰羌佛的尊敬。而且,第三世多杰羌佛也是政府法定的名字,以前的“义云高”和大师的尊称已经不存在了。但是,这个新闻是在南无第三世多杰羌佛佛号未公布之前刊登的,那时人们还不了解佛陀的真正身份,所以,为了尊重历史的真实,我们在新闻中仍然保留未法定第三世多杰羌佛称号前所用的名字。

2019年12月26日,中国国际教育电视台“聚焦先锋榜”栏目播出节目《探其根本,弘扬正法》,节目内容聚焦当今住世佛陀—南无第三世多杰羌佛。节目播出后引起社会广泛关注。

2004-02-14世界日报

义云高获Fellowship证书

英国皇家艺术学院日前在美国首都华盛顿英国驻美国大使馆,颁授韵雕创始人义云高「Fellowship」资格证章与证书,以表彰义云高在艺术上的成就。

    英国皇家艺术学院早在1768年由英国国王乔治三世创建,两百多年来造就不少艺术人才。皇家艺术学院主席菲力浦·金(Philip King)特别出席,主持颁证仪式。

    英国驻美国大使馆大卫·曼宁爵士在菲力浦·金和院长布兰登鼐伦陪同下,会见了义云高夫妇。

信愿行

义云高大师作品「大力王尊者」貴氣逼人,創在世畫家最高成交紀錄(2000年11月27日EasyNews)

https://wp.me/pbawy6-oP

关于“第三世多杰羌佛”佛号的说明

二零零八年四月三日,由全球佛教出版社和世界法音出版社出版的《多杰羌佛第三世》记实一书在美国国会图书馆举行了庄严隆重的首发仪式,美国国会图书馆并正式收藏此书,自此人们才知道原来一直广受大家尊敬的义云高大师、仰谔益西诺布大法王,被世界佛教各大教派的领袖或摄政王、大活佛行文认证,就是宇宙始祖报身佛多杰羌佛的第三世降世,佛号为第三世多杰羌佛,从此,人们就以“南无第三世多杰羌佛”来称呼了。这就犹如释迦牟尼佛未成佛前,其名号为悉达多太子但自释迦牟尼佛成佛以后,就改称“南无释迦牟尼佛”了,所以,我们现在称“南无第三世多杰羌佛”。尤其是,二零一二年十二月十二日,美国国会参议院第 614 号决议正式以His Holiness 来冠名第三世多杰羌佛(即 H.H.第三世多杰羌佛),从此南无第三世多杰羌佛的称位已定性。而且,第三世多杰羌佛也是政府法定的名字,以前的“义云高”和大师、总持大法王的尊称已经不存在了。但是,这个新闻是在南无第三世多杰羌佛佛号未公布之前刊登的,那时人们还不了解佛陀的真正身份,所以,为了尊重历史的真实,我们在新闻中仍然保留未法定第三世多杰羌佛称号前所用的名字,但大家要清楚,除H.H.第三世多杰羌佛的名字是合法的以外,在未法定之前的名字已经不存在了。

2019年12月26日,中国国际教育电视台“聚焦先锋榜”栏目播出节目《探其根本,弘扬正法》,节目内容聚焦当今住世佛陀—南无第三世多杰羌佛。节目播出后引起社会广泛关注。

义云高「大力王尊者」贵气逼人

EasyNews 2000-11-27

    甄藏国际艺术公司昨 (二十六) 天举行秋季拍卖会,备受瞩目的大陆艺术家义云高作品「大力王尊者」,以新台币七千两百万成交 (约两百一十九万一百一十四美元),卖给英国书画收藏家奈勒,这笔交易可能创下在世画家最高成交纪录

    义云高在作品中,以细腻线条勾勒出大力王尊者孔武有力的肌肉,全身脉络血管清晰可见,身上穿绕着薄如蝉翼的细纱,工笔技巧极高。

    此外,拍卖会场上另一焦点则是藏密最高女法王阿王诺布帕母的黄金版著作「子必依论」,也以新台币一千五百五十六万元成交。(康俐雯/报导) (大成影剧报 2000/11/26 21:14)

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义云高大师的雕塑艺术神变莫测、鬼斧神工(2002年8月29日星暹日报)

https://wp.me/pbawy6-oG

关于“第三世多杰羌佛”佛号的说明

二零零八年四月三日,由全球佛教出版社和世界法音出版社出版的《多杰羌佛第三世》记实一书在美国国会图书馆举行了庄严隆重的首发仪式,美国国会图书馆并正式收藏此书,自此人们才知道原来一直广受大家尊敬的义云高大师、仰谔益西诺布大法王,被世界佛教各大教派的领袖或摄政王、大活佛行文认证,就是宇宙始祖报身佛多杰羌佛的第三世降世,佛号为第三世多杰羌佛,从此,人们就以“南无第三世多杰羌佛”来称呼了。这就犹如释迦牟尼佛未成佛前,其名号为悉达多太子但自释迦牟尼佛成佛以后,就改称“南无释迦牟尼佛”了,所以,我们现在称“南无第三世多杰羌佛”。尤其是,二零一二年十二月十二日,美国国会参议院第 614 号决议正式以His Holiness 来冠名第三世多杰羌佛(即 H.H.第三世多杰羌佛),从此南无第三世多杰羌佛的称位已定性。而且,第三世多杰羌佛也是政府法定的名字,以前的“义云高”和大师、总持大法王的尊称已经不存在了。但是,这个新闻是在南无第三世多杰羌佛佛号未公布之前刊登的,那时人们还不了解佛陀的真正身份,所以,为了尊重历史的真实,我们在新闻中仍然保留未法定第三世多杰羌佛称号前所用的名字,但大家要清楚,除H.H.第三世多杰羌佛的名字是合法的以外,在未法定之前的名字已经不存在了。

2019年12月26日,中国国际教育电视台“聚焦先锋榜”栏目播出节目《探其根本弘扬正法》,节目内容聚焦当今住世佛陀—南无第三世多杰羌佛。节目播出后引起社会广泛关注。

超越艺术品被复制的历史宿命

艺术大师义云高 雕作展世为人类贡献最高艺术

星暹日报   二〇〇二年八月二十九日  

    以单幅画作在艺术品拍卖市场创下中国画最高纪录的义云高大师,最近在美国加州展示他那神变莫测、鬼斧神工的雕刻艺术,再度震惊世界艺坛,爲人类贡献了最高艺术享受。他的雕刻作品取材于自然,不仅没有人工斧凿之迹,其艺术性更超越自然天成,令人叹爲观止。更令艺坛震惊的是,他的作品完全无法用任何方式仿制,即使拓印灌浆作模或计算机模拟也复制不了,这在人类的艺术史上是绝无仅有的突破性成就,大师的雕塑艺术成就,使世界艺术达到极度高峰已入超凡圣境。

    义云高大师的大力王尊者画作, 以贰佰贰拾万七千九百一十二美元在艺术拍卖市场成交,创下中国画的最高成交纪录。他的画作和他的雕刻作品比起来,直可说是一画易求,一石难得。看过义云高大师雕刻作品的艺评家都露出不可思议的神情说:「这哪是人能雕得出来的艺术作品!气韵生动、格高境大、巧夺天工、出神入化都不足以形容这些作品给人的感动!要说雕者是史无前例的艺术大师、艺术世界的一盏明灯或说他是超越自然的首位雕塑大家,可说是恰如其分。」
    义大师的雕刻作品有四种风格: 有写实、有抽象、有古典、有现 代、件件摄人心魂、美不胜收,各具夺人惊叹之魅力,予人一种开天辟地史无前例的感受,不得不让观者惊叹雕者不愧为世界伟大的艺术大家。

    以「溶洞」这一作品而言,外表状似天然巨石,高度及腰的钟乳石,当你一端详石中天地,发现洞中奇景、总不免让观者哑然失声, 心中惊叹这巨石是从桂林芦迪岩,还是武陵园溶洞或台湾的鹅銮鼻钟乳岩洞搬来的,哪里是人工所能造化!但定神一想,世上哪来这么小的钟乳洞,蹲身再仔细观察洞中景象, 石柱、石乳、蕈状石、与盾形下垂石,其形其状宛如自然万穿滴水天成,完全看不出斧凿之迹,但其石材乃爲钢性树脂所作,亦非大自然所能爲,如想入洞内雕刻,洞小亦无可容身之处,如系拓自自然钟乳洞,又何来数量如此多之天然造形齐聚一堂?溶洞中也找不到造形如此精美之石品。一般的艺术作品难比大自然的鬼斧神工,此一作品的刀工所作出的艺术成就,不仅超越人爲,就连天然溶石奇峰妙趣,也得甘拜下风。

    再说「梵洞奇观」就更加离奇不可思议,在云高大师的刀下,奇石布局与大自然石感无异,石中处处见洞,洞中有洞,洞中变化空凌透穴,韵致流向,八面展观,面面奇趣, 完美无缺,绝非大自然所能比拟的。如果你看过天然洞穴在日月推移下所造成的光影变化,而赞叹造物者的神妙,当你看到此一非自然天成的「梵洞奇观」竟然可因洞外不同角度的光源照射而生出种种明暗变化,不同色彩光影交错辉映,各种奇妙洞形,益加变化无穷,此 一雕塑的艺术境界,高妙深沉几无可言喩,线条流畅宛转如音符跳跃,如欲欣赏竟此一件作品所呈显的各种美感与意境,非四十分钟不以爲功,极度发挥了雕塑艺术摄受人心的高度魅力,其神妙远远超过天然洞穴,其艺术成就正是来于自然更超于自然造化之物,大自然的石型多见一面入色,另一面往往不尽其意,大师的雕塑竟能每面各具奇趣,令欣赏者有全方位面面俱到之感,这已是艺术史上破天荒的成就,更令人惊叹的是,这座奇石布局,衆所公认确实在这个世界上找不到可复制的方法,即便想要拓印或灌浆制模或以计算机模拟亦不可能,这也是艺术史上绝无仅有开篇新章的惊世巨大成就。

    在加州的展览厅所展现的义云高大师雕刻作品,小的有半人高,大的有一丈高两丈长,每一件作品给人的感觉,不用上三、五年是无法完成一件的,有的作品乃至感觉必须用几十年的时间来雕塑,这还不重要,重要的是他的雕塑写实与艺境件件超过大自然的造化,令参观者当下产生视觉与心里的双重震撼;其作品的无法复制性,更使得大师的件件作品成爲独一无二的无价稀世珍宝。大师为人类世界作出的雕塑贡献实在太大了。

信愿行

义云高大师是货真价实的大画家

https://wp.me/pbawy6-o6

关于“南无第三世多杰羌佛”佛号的说明

二零零八年四月三日,由全球佛教出版社和世界法音出版社出版的《多杰羌佛第三世》宝书在美国国会图书馆举行了庄严隆重的首发仪式,美国国会图书馆并正式收藏此书,自此人们才知道原来一直广受大家尊敬的义云高大师就是宇宙始祖报身佛多杰羌佛的第三世降世,佛号为第三世多杰羌佛,从此,人们就以“南无第三世多杰羌佛”来称呼了。这就犹如释迦牟尼佛未成佛前,其名号为悉达多太子,但自释迦牟尼佛成佛以后,就改称“南无释迦牟尼佛”了,所以,我们现在称“南无第三世多杰羌佛”。尤其是,二零一二年十二月十二日,美国国会参议院第614号决议正式以His Holiness来冠名第三世多杰羌佛(即H.H.第三世多杰羌佛),这说明了美国国会对南无第三世多杰羌佛的尊敬。而且,第三世多杰羌佛也是政府法定的名字,以前的“义云高”和大师的尊称已经不存在了。但是,这个新闻是在南无第三世多杰羌佛佛号未公布之前刊登的,那时人们还不了解佛陀的真正身份,所以,为了尊重历史的真实,我们在新闻中仍然保留未法定第三世多杰羌佛称号前所用的名字。

( 2019年12月26日,中国国际教育电视台“聚焦先锋榜”栏目播出节目《探其根本,弘扬正法》, 节目内容聚焦当今住世佛陀—南无第三世多杰羌佛。节目播出后引起社会广泛关注。)

一幅「威震图」诸多讯息错传

义云高大师是货真价实的大画家

世界论坛报 中华民国八十九年五月二十八日 星期日 地方新闻 第9版

    昨天新闻媒体界已经透露义云高大师所画的威震图一幅画,成了惊世价格,有一些不了解真相的人向媒体界错报情况说现在世界上佛教界的画竟然超过了艺术界的画,这种说法已经是外行人的语言,更是非常非常的不了解义云高大师,盲目错传情况给媒体。

    这一幅威震图是由圣多美普林西比外交部大卫顾问空运台湾,却错传从美国空运,并且将其义大师之年龄也弄错了很大失误,更重要的是义云高大师并非专一密宗大师,而是刚由联合国际世界佛教总部召集全世界416个协会和寺院共2137位高僧大德推举为显宗和密宗圆满的正宗佛教大师,因此造成报上误报说艺术界与佛教界都成了书画的科种,大为笑话之失真。

    实际上艺术它本身站的角度就是艺术界,佛教界所讲的是佛法、佛学、佛教,了生脱死,佛教不是艺术,艺术与佛教完全是两个概念,既然出现了画,那就是归源于艺术界,其实误传错息的人一点也不了解义云高大师其人,义云高大师固然是佛教界法王级的高僧,但是更重要的是,他是一位非常有名的大艺术家,早在很多年以前就被评为中国画走向世界的奠基人,所以说在我们历代名家当中,没有任何人得到过这样的评价,因此他是地地道道真正的艺术家的一面,那么更能说明问题的是在十五年以前义云高大师就是中国教科文中国画研究会的一员,这个中国画研究会全是由知名的艺术大家和书法、金石、文学大家组成,其中有周颖南、吴丈蜀、钱君匋、谢稚柳、梁漱冥、万籁鸣、臧克家等,而该会会长则是义云高大师,难道说这不是伟大的书画艺术家作品,而是一个宗教作品吗?

    佛教作品应该是生死自由、妙智神通的展现,当然作为艺术来说,无非是义云高大师在佛法里面沧海滴水而已,这倒是千真万确,但是一定要知道他不但是伟大的佛法、佛学、佛教在显宗和密宗两大宗流圆满无缺的大师,同时也是艺术家、科学家、伦理道德家、歌唱家、因明学家…等等很多家。
信愿行 大浪淘沙 BVC

H.H.第三世多杰羌佛的国画《绿树高坡有人家》节奏分明、和谐统一

https://wp.me/pbawy6-mg

H.H.第三世多杰羌佛的国画作品《绿树高坡有人家

这是一幅美妙的国画作品。暖黄色的高坡,墨绿色的松树,松树的枝干以及房舍小路的石阶,用篆隶笔法写成,没有着色。三棵松树如翩翩起舞的舞女,又似倒立练功的武士,其姿态别致风趣;高坡边缘的小树如同稚气的孩童一般手舞足蹈,与别具一格的提款相映成趣。画面运用了S形的构图,房舍、树木、巨石的位置经营得十分妥帖。值得一提的是,画面赋色上运用了平面构成,使得画面节奏分明、和谐统一。

此画给人的感觉不是激动奔放,也不是荡气回肠,而是清幽静寂、平淡天真。其意境颇有清江不流,空山无人的意蕴……

文/菊山

朗墨搜狐号 朗墨运转一乾坤 朗墨大凤号 朗墨企鹅号 朗墨快传号

过年后,春雨即将来到,H.H.第三世多杰羌佛的国画《古城春雨》展示了行色匆匆的城市

https://wp.me/pbawy6-lU

H.H.第三世多杰羌佛的国画作品《古城春雨》

2007年春天,我第一次去榕城成都,下了飞机乘机场大巴向市区进发,刚进入市内雨就下大了,当时虽是白天,却暗得如同傍晚,雨大得仿佛有水流砸在车上一般,发出很大的撞击声,令人惊悸得不寒而栗。透过车窗,看到雨雾中的街道上,隐约有身穿各色雨衣雨伞的人影匆匆行进在马路上。

突然而至的倾盆大雨改变了城市正常的环境状态,一时间,都市、车辆、人流包括人们的习惯意识被镶嵌在大自然的大背景下,整个情境从人与社会的关系被顿时置换成为人与大自然的关系。

作为一名美术工作者,我当时就意识到,这是一种富有含金量的绘画题材,然而,想把这种富有哲学意蕴的感悟转换成绘画,却怎么也找不到、想象不出相应的绘画形式。随着时间的流逝,这短暂的感觉早已漫灭流失了。

十几年过去了,直到有一天见到了世界级的艺术巨匠H.H.第三世多杰羌佛的国画作品《古城春雨》时,我曾经有过的绘画构思与困惑才顿然冰消。作品中的意境震撼着我的内心,还有那奇妙的构思深深启迪着我的心智。画面之中有巨树矗立,立地顶天、苍劲浑厚,透过树干枝桠的空间,可以看到马路两旁的树木枝青叶茂春意盎然;树冠之上是无际的苍穹,可以体会到宇宙人生的无限意蕴;纵横交错的枝桠之下便是行色匆匆的城市街道,不期而至的一场茫茫春雨把人的视觉带入了新的审美视野:苍穹之下,芸芸众生在风雨中勤劳奔忙……

这富有哲学意味的画面又使我想起H.H.第三世多杰羌佛的诗词《念奴娇》中的诗句:“顿入乾坤,大千界、万垒坎坷雄立。百种风流纵辉煌,终归一笑了结。金红报晓,晨钟催月,一展娑婆迹。群生奔涯,恍然如烟化雪!”

画面中的情景早就客观存在于我们熟视无睹的视野之中,而画者从现实生活中把它们抽离出来,重新奉献,让我们以新的视角来审视自己的生命存在。

正如当年第一次听到小提琴协奏曲《梁山伯与祝英台》的感受一样,当凄婉的主旋律舒缓流淌出来的刹那,我立刻就被那陌生而又熟悉的音律感动了。让人印象深刻的旋律,仿佛似曾相识,又像在梦中遇到故人一样激动与美好。这种美好感觉似乎早就存在于我们的心灵深处而没有被发现,而画者洞悉这美好的存在,用恰当的形式承载把她带到人们面前。也许这是世界上所有伟大卓越艺术的共性吧,所以艺术史上把这种艺术称为理想中的真实。

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惊叹H.H.第三世多杰羌佛山水画的笔墨功夫和意境

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山水画直接是中国哲学的文化形态,古代画家董源、巨然、宗炳、郭熙、黄公望、石涛、八大山人等历代先贤无不以山水画来表达自己卓尔不群的精神境界。

国画,尤其是山水画,与应物象形的西方绘画迥然不同,画家俯察天地万物、仰观宇宙浩瀚、以心化境、用书写式的笔墨再造胸中丘壑山水、书胸中之意韵,写天地之浩气。酣畅淋漓的笔墨之下,生成内美之心相,通过绘画语言展现物我一体的精神境界。

H.H.第三世多杰羌佛山水画《䢺江远眺》

看一幅国画的优劣首先要看画家的笔墨质量,可以说离开笔墨功夫就没有国画 。笔墨质量对于国画的重要性,如同细胞对于生命。山川丘壑林泉人物,无一不依靠笔墨来实现。所谓骨法用笔,就是画家在画面中的勾勒皴擦点染。《䢺江远眺》是一幅底蕴甚深,意境清奇的山水画,整幅画以篆籀之笔、积墨之法而成画。 H.H.第三世多杰羌佛的这幅山水画,用笔苍辣自然、笔力遒劲超凡;墨色的干湿浓淡层次分明、节奏明快;简洁的山川结构与舒朗的款识,构成画面丰富生动的气韵,画面气息让人心旷神怡、荡气回肠,画中的笔墨质量尤为让人叹为观止。

H.H.第三世多杰羌佛山水画《远客朝圣》

《远客朝圣》是一幅烟水苍茫的现代山水画,暖绿色的山岚之间隐约有茅屋村舍、小路桥梁,小桥之上有一醒目的红色,那或许就是长途跋涉的朝圣远客吧。画面苍润的暖绿与红色形成强烈的对比,暗合万绿丛中一点红的美学典范。其意境既古雅深沉又具有浪漫现代气息。

H.H.第三世多杰羌佛山水画《山谷悬楼》

淡墨劲笔的尽情挥洒,使《山谷悬楼》整幅画面大气磅礴、气脉贯通。大写意的笔法形成苍润的笔墨质感,构成浓郁清新的意境。山谷之中有三两间高悬的楼舍,仿佛居住着绝世的高人,如烟似雾的一带远山,带给人无边无际的遐想……

H.H.第三世多杰羌佛山水画《飞泉独舟》

《飞泉独舟》是一幅少见的山水画极品。厚重的积墨层次分明、遒劲的线条力透纸背、酣畅淋漓的水墨与飞騰跳跃的线条相得益彰,真可谓墨不压线,线不碍墨。在浓重华滋的墨色烘托之下,其画面意境清奇袭人。画面之中有一奋力撑船的渔父,似乎又要去笑傲远方。

H.H.第三世多杰羌佛山水画《毫端入圣》

松动的笔法中透着苍劲与浩然之气,山石如飞白,林木如篆籀。《毫端入圣》这幅山水画,笔墨在起承转合间任意挥洒,或许画者的思绪随着笔意已进入无我两忘的状态。此刻,心境已超然离尘、毫端如圣。然而,就是这心无挂碍的尽情挥洒,却使华滋浑厚的苍山秀水自然呈现在我们眼前。

H.H.第三世多杰羌佛山水画《熊尔山》

这是一幅具有现代气息的山水画精品。潇洒的笔墨,牵引着蜿蜒曲折的山势,仿佛朝我们款款而来,然而奇妙的书法款式横截其间,如一声棒喝,使流动的山势戛然而止。《熊尔山》整幅画面笔致凝练如金石、活泼如龙蛇、设色淡适古雅;山石轮廓粲然流畅、气韵弥漫;山势虽不奇峭耸拔,但却浑厚苍莽。笔锋墨韵之下,烟霭浮漾,草木华滋。

H.H.第三世多杰羌佛山水画《群山望舟》

仿佛是暮秋气象,萧瑟的云水间,笼罩着清冷的薄雾。透过群山远望,有三两只渔舟正在起锚远行,《群山望舟》那凄清苍凉的意境,不禁让人心生悲凉,悲悯这大千世界里的芸芸众生,艰难地生存着……这或许就是H.H.第三世多杰羌佛大悲心的真实写照吧。

H.H.第三世多杰羌佛是当代的艺术巨匠,从少年时代就涉足绘画艺术。祂或以天府之国的山水,或以自然为景写生,或融家乡风情于笔下。时至青年时代,祂的写生足迹遍及祖国名山大川。H.H.第三世多杰羌佛以笔墨为媒介,从学术的角度创造并奠定了国画在当代世界艺术中的地位。

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